The Death of Balder in Norse Mythology

The Death of Balder in Norse Mythology Odin, the king of the Norse gods, often sat upon Hildskialf, the throne of the Aesir gods, with his companions, the two ravens, Hugin (Thought) and Munin (Memory), whispering in his ears. From this position, he could look out on all of the nine worlds. Sometimes his wife Frigg would sit there, too, but she was the only other god who was so privileged. Frigg was the second and favorite wife of Odin, whose daughter she may also have been. She was the only Aesir as clever and knowledgeable about the future as Odin, although her foreknowledge did not depress her as it did her husband. Frigg had her own palace, which was known as Fensalir, where she sat spinning clouds to float above Midgard. Fensalir also served as the afterlife home for married couples who wished to be together. It was a counterpart to the famous home of valiant warriors, Valhalla, where Odin spent much of his time - drinking (he is said to have stopped eating when he heard about the inevitable doom of Ragnarok) with his feasting and fighting companions and the Valkyries. Balder the Handsome The most handsome of the gods was born to Frigg and Odin. He was named Balder (also known as Baldur or Baldr). He was a god of truth and light. Balder was also knowledgeable in healing herbs and runes, which made him a favorite among the people of Midgard. Balder lived in a palace named Breidablik with his wife Nanna (n.b. there is also a Mesopotamian goddess of this name), a vegetation goddess. It was believed that no lie could pass through the walls of Breidablik, home of the god of truth, so when Balder started having frightening nightmares about his own demise, the other Aesir gods took them seriously. Unlike gods in other pantheons, the Norse gods were not immortal. They cataloged everything that might possibly cause Balder harm, from weapons to diseases to creatures. With the list in hand, Balders mother, Frigg, set out to exact assurances from everything in the nine worlds not to harm Balder. This wasnt hard because he was so universally loved. When she had completed her mission, Frigg returned to Gladsheim, the gods meeting hall, for a celebration. After a few rounds of drinks and toasts, the gods decided to test Balders invulnerability. A pebble thrown at Balder bounced off without hurting Balder, in honor of its oath. Larger weapons were used, including Thors axes and all refused to hurt the god. Loki the Trickster Loki is known as a trickster god. Sometimes he was mischievous, but he hadnt really been malicious. The giants were evil, but Loki, who was the son of a giant, hadnt been known as such. It seems his self-appointed job was to stir things up when things were going well. Its a Loki-type action that one wishes to avert when telling an actor to break a leg before a performance. Loki was disturbed by all the gaiety and decided to do something about it, so in disguise as a disgusting old hag, he went to Frigg while she was at Fensalir taking a break from the festivities. What was going on at Gladsheim, he asked her. She said it was a celebration of the god Balder. Loki-in-disguise asked why, then, were people throwing weapons at him? Frigg explained about the promises shed exacted. Loki kept at her asking questions until she finally revealed that there was one thing she hadnt asked because she thought it too small and inconsequential. That one thing was mistletoe. With all the information he needed, Loki set off to the forest to get himself a branch of mistletoe. He then returned to the festivities at Gladsheim and sought out Balders blind brother, Hod, god of darkness, who was in a corner because he couldnt aim and therefore couldnt participate in the test of Balders invulnerability. Loki told Hod he would help him take aim and handed Hod a piece of apparently innocuous mistletoe to throw. Hodur was grateful and accepted the offer, so Loki steered Hods arm. Hod launched the branch, which caught Balder in the chest. Balder died instantly. The gods looked towards Hod and saw Loki beside him. Before they could do anything, Loki fled away. Celebration turned to lamentation since the most beloved of the gods had died. Odin alone was aware of how disastrous this event really was for them all, for he knew that with the loss of light and truth, the end of the world, Ragnarok, was due soon. A funeral pyre was made that was so enormous the gods had to ask the help of the giants. They then placed their most valuable worldly possessions as gifts upon the pyre. Odin placed his golden armband Draupnir. Balders wife fell down dead of grief at the pyre, so her body was placed beside her husbands. [  The most beautiful and beloved of the gods, Balder, son of Odin, had been slain by his blind brother wielding a misletoe shaft aimed by Loki. Balders wife had joined him on the funeral pyre. After their funeral, they were in the world called Niflheim.] An attempt was made to resurrect Balder, but due to more of Lokis mischief, it failed. The goddess of death, Hel, promised that Balder could return to earth if every living creature shed tears of grief for Balder. It looked as though it would work, for everyone loved Balder, but Loki arranged for a single exception. Loki disguised himself as the giantess Thok. As Thok, Loki was too indifferent to cry. And so, Balder could not return to the land of the living. Balder and his wife remained in Niflheim. Another son of Odin, Vali,  revenged  the death of Balder, but not by getting back at  Loki. Instead, Vali slew his brother, the blind god Hod. Loki, who had fled the initial scene of Balders death in Gladhseim, and then re-appeared in disguise as the giantess Thok, tried to get to safety by turning into a salmon. The salmon-Loki hid in a waterfall. But the Aesir, who knew where he was, tried to catch him in a net. Loki was too clever for that and jumped right over the net. Thor, however, was fast enough to catch the leaping fish in his bare hands. Then Loki was bound in a cave with venom dripping onto his body, which caused him to writhe in pain - until the worlds end in Ragnarok. (The story of  Prometheus  has a similar punishment.) Sources Ragnarok. Timelessmyths.com. Roberts, Morgan J. Norse Gods and Heroes. Myths of the World, Reprint edition, Metro Books, December 31, 1899.

History of St. Valentines Day in the 1800s

History of St. Valentines Day in the 1800s Commemorations of St. Valentine’s Day are rooted in the distant past. In the Middle Ages the tradition of choosing a romantic partner on that particular saints day began because it was believed that birds began mating on that day. Yet there doesnt seem to be any evidence that the historical Saint Valentine, an early Christian martyred by the Romans, had any connections to either birds or romance. In the 1800s, stories abounded that the roots of St. Valentine’s Day reached back to Rome and the festival of Lupercalia on the 15th of February, but modern scholars discount that idea. Despite the holidays mysterious and puzzling roots, it is obvious that people have observed St. Valentine’s Day for centuries. The famed London diarist Samuel Pepys mentioned observances of the day in the mid-1600s, complete with elaborate gift-giving among the wealthier members of society. The History of Valentine Cards It seems that the writing of special notes and letters for Valentine’s Day gained widespread popularity in the 1700s. At that time the romantic missives would have been handwritten, on ordinary writing paper. Papers made especially for Valentine greetings began to be marketed in the 1820s, and their use became fashionable in both Britain and the United States. In the 1840s, when postal rates in Britain became standardized, commercially produced Valentine cards began to grow in popularity. The cards were flat paper sheets, often printed with colored illustrations and embossed borders. The sheets, when folded and sealed with wax, could be mailed. The American Valentine Industry Began in New England According to legend, an English Valentine received by a woman in Massachusetts inspired the beginnings of the American Valentine industry. Esther A. Howland, a student at Mount Holyoke College in Massachusetts, began making Valentine cards after receiving a card produced by an English company. As her father was a stationer, she sold her cards in his store. The business grew, and she soon hired friends to help her make the cards. And as she attracted more business her hometown of Worcester, Massachusetts became the center of the American Valentine production. St. Valentines Day Became a Popular Holiday in America By the mid-1850s the sending of manufactured Valentine’s Day cards was popular enough that the New York Times published an editorial on February 14, 1856 sharply criticizing the practice: Our beaux and belles are satisfied with a few miserable lines, neatly written upon fine paper, or else they purchase a printed Valentine with verses ready made, some of which are costly, and many of which are cheap and indecent. In any case, whether decent or indecent, they only please the silly and give the vicious an opportunity to develop their propensities, and place them, anonymously, before the comparatively virtuous. The custom with us has no useful feature, and the sooner it is abolished the better. Despite the outrage from the editorial writer, the practice of sending Valentines continued to flourish throughout the mid-1800s. Popularity of the Valentine Card Boomed After the Civil War In the years following the Civil War, newspaper reports indicated that the practice of sending Valentines was actually growing. On February 4, 1867, the New York Times interviewed Mr. J.H. Hallett, who was identified as the â€Å"Superintendent of the Carrier Department of the City Post Office.† Mr. Hallett provided statistics which stated that in the year 1862 post offices in New York City had accepted 21,260 Valentines for delivery. The following next year showed a slight increase, but then in 1864 the number dropped to only 15,924. A huge change occurred in 1865, perhaps because the dark years of the Civil War were ending. New Yorkers mailed more than 66,000 Valentines in 1865, and more than 86,000 in 1866. The tradition of sending Valentine cards was turning into a big business. The February 1867 article in the New York Times reveals that some New Yorkers paid exorbitant prices for Valentines: It puzzles many to understand how one of these trifles can be gotten up in such shape as to make it sell for $100; but the fact is that even this figure is not by any means the limit of their price. There is a tradition that one of the Broadway dealers not many years ago disposed of no less than seven Valentines which cost $500 each, and it may be safely asserted that if any individual was so simple as to wish to expend ten times that sum upon one of these missives, some enterprising manufacturer would find a way to accommodate him. Valentine Cards Could Hold Lavish Gifts The newspaper explained that the most expensive Valentines actually held hidden treasures hidden inside the paper: Valentines of this class are not simply combinations of paper gorgeously gilded, carefully embossed and elaborately laced. To be sure they show paper lovers seated in paper grottoes, under paper roses, ambushed by paper cupids, and indulging in the luxury of paper kisses; but they also show something more attractive than these paper delights to the overjoyed receiver. Receptacles cunningly prepared may hide watches or other jewelry, and, of course, there is no limit to the lengths to which wealthy and foolish lovers may go. In the late 1860s, most Valentines were modestly priced, and targeted toward a mass audience. And many were designed for humorous effect, with caricatures of particular professions or ethnic groups. Indeed, many Valentines in the late 1800s were intended as jokes, and the sending of humorous cards was a fad for many years. Victorian Valentines Could Be Works of Art The legendary British illustrator of children’s books  Kate Greenaway designed Valentines in the late 1800s which were enormously popular. Her Valentine designs sold so well for the card publisher, Marcus Ward, that she was encouraged to design cards for other holidays. Some of Greenaway’s illustrations for Valentine cards were collected in a book published in 1876, ​Quiver of Love: A Collection of Valentines. By some accounts, the practice of sending Valentine cards fell off in the late 1800s, and only revived in the 1920s. But the holiday as we know it today firmly has its roots in the 1800s.